fresh off a collaborative release on underground quality under grand combo with dj jus-ed and a solo ep on patrice scott s sistrum, henry maldonado (p/k/a son of sound) returns on his home-grown district 30 imprint with 4 tracks of deep, new york city grit in machines on the dresser.

b-stock! cover with seam split. vinyl is unplayed and mint. holger wobker and james knights are finally back as boytronic with their new album “the robot treatment”.

limited repress! eating records is back ! as our main leitmotif has always been >quality over quantity<, it took us a bit of time to present you something very special. accustomed to solo stellar adventures in wonderful destinations such as bleu ciel, rackmizar, or joule imprint, teluric also traveled the space in duet with melodie under the name of glueped. this is the reason we did not hesitate to ask him to relate us his lunar epopee initiated in 2017. so here are the signals from the moon.

third compilation in the dreamville series “revenge of the dreamers” on limited double vinyl.

20th anniversary collectors box, featuring “surrender” (clear 2lp), “secret psychedelic mixes” (previously unreleased, lp), “curated” (b-sides & remixes, lp) and glastonbury 2000 film & promo videos on dvd. also contains a 28 page book, 4 art prints and a download code.

the new van morrison album on silver coloured double vinyl, housed in a gatefold sleeve.

file under downtempo - electronica - leftfield

file under: deep house, dub, experimental, nu disco, post-punk

holger wobker and james knights are finally back as boytronic with their new album “the robot treatment”.

the 5th album from toyko based instrumental group anoice. the music one craves when picking yourself up.

2019 repress - first recorded in 1983 under the name visual, boyd jarvis s cut the music got me is one of the first true house records. a staple on the 80s new york club scene, the visionary instrumental dub was played everywhere from the paradise garage to zanzibar, dance-floors packing to it s mix of throbbing bass and wooshes of analogue synth magic. at ransom note we ve long been obsessed with the record, so when house hunting s aiden d araujo interviewed boyd - and found out that we could license it - we jumped at the chance. now, we present the music got you sounding bigger and better than ever before. remastered from boyd s original tapes by keith tenniswood at curved studios, the music got me is pressed on limited edition, heavyweight vinyl for clarity and bass pressure. complimenting the original release come 2 completely new mixes the first is a dubbed out masterpiece from edit-king nick the record alongside dan tyler of the idjut boys. between them they take the essence of jarvis s original and tease it out into a cavernous disco killer. next up comes bawrut man behind ransom notes debut release, the nu-acid anthem ciquita. bawrut does what he does best, throwing in latin percussion, layers of screwball 303 burbles, and a sense of joy, all whilst keeping boyd s original bass groove rolling.

official reissue of this 1981 rare groove classic on 180 gram vinyl.

remastered, first time on vinyl

originally released in 1956, this amazing recording of ella fitzgerald singing songs by cole porter is finally back on double vinyl. housed in a gatefold sleeve, featuring the original artwork.

the ultimate live hip-hop experience, featuring the full original wu-tang clan line up. recorded live in san bernadino, california on july 17, 2004.

the 3rd wu-tang album back on audiophile 180 gram double vinyl.

alex the fairy returns to finders fee with rusty blade tears, the second record of three. the first track, a 4/4 kick blindly barging through an arcade is followed by a bathtub riding down the motorway in a dali-esque landscape. on the b-side, an angry cordless phone precedes some rusty ice cubes in arctic water. finder’s fee is a label for found sounds, found melodies and found rhythms.

vinyl only.

boxia with his debut album , bang!

file under : electronica, indie dance

daniel fisher, aka physical therapy, is an artist of many faces. bouncing from techno to jungle, idm to disco often under the moniker physical therapy, elsewhere as house duo fatherhood, and sometimes under a slew of untold aliases his catalogue can be a confounding proposition to decode.

third album from anthoney j hart under his basic rhythm moniker comes on double vinyl via planet mu.

secret circuits eddie ruscha and rub n tugs thomas bullock joined forces as laughing light of plenty for an ep back in 2008, and followed it up with an album on whatever we want records in 2010 which largely got lost in a warehouse stock malfunction. now emotional response are doing the right thing and giving the record a second airing under the duos alternative alias the naturals, and it s not hard to see why they wanted to do the reissue. loose and funky, but also deliriously psychedelic and indebted to the 1970s golden era of songwriting, this is a quintessential emotional record if ever we heard one.

the 2009 album from the congos available on vinyl for the first time.

spaced out breaks to deep electro

a unique voice within the new uk jazz generation, sarah tandy’s “infection in the sentence” is shaped by london’s thriving and diverse live music scene.

the limited edition super-deluxe yellow-white-clear mash-up vinyl format is pressed onto 100% virgin vinyl, packaged in a full-color gatefold jacket, and includes a full-sized 28-page full-color diary, and an original animation print cell from the we the animals film production.

this is the second vinyl release coming from petter prestons new solo career as an artist. it has got four amazing tracks made under the serious influence of global clubbing in moscow. enjoy this limited press and stay tuned.

12 unreleased demos from 1983-85 italian electronic darkwave duo victrola.

fresh instrumental soul / funk from down under.

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

ltd repress gold edition . 50 copies only
the ambientist hurled oneself into adventures with his own 90 s interpretation of ambient, leftfield, breakbeat and uk electronica.
for fans of traumprinz or rising sun
file under:
ambient, breakbeat, deep house, drum n bass, leftfield, new age, jungle

pensive vibes from down under on the latest gasp release.

original motion picture soundtrack from the walt disney classic “the little mermaid” on vinyl.

original motion picture soundtrack from the walt disney classic “the lion king” on vinyl.

2018 reissue

on the 4-track ep “the material turn” moritz simon geist turns materials into sounds

mantra makes an entry to finnish proform series with his raw and uncompromised four track acid ep called “the abyss”. after releases on bunker records, polybius trax, solar one music and abstract acid under the mantra alias craig stainton delivers four tracks of jackin pure acid techno madness in the veins of true underground. starting with “next culture” is a good introduction to pumping beats and a moaning 303 while “beat methods” takes a rougher and tougher angle to acid. just imagine yourself in a warehouse party in the morning jammin to some acid. on the b-side “the abyss” leads us to the deep end of the 303 or even to the bottom of the acid sea. “singularity” ends this package with great 303 lines definitely burning up the house! a limited and numbered edition of 200, after that it’s gone, no represses, no digital, so you know what to do!

after more than 15 years the legendary dj producer returns with a full length album. eight tracks all about the future that is hiding right under our nose. luke mcmillan provides his familiar signature sounds in a futuristic collection of hardcore beats. he lived the future incognito, and is ready to show us what’s to come.

(2lp+dl) lucy and rrose, now coming together as the lotus eaters, have established themselves separately as techno artists who are just as comfortable operating in the uncharted area of experimental music. running their own labels (stroboscopic artefacts and eaux, respectively), they have gained a cult following, both influencing and challenging the direction of techno.

recorded at the age of 14, in 1956, under the direction of her father, reverend c. l. franklin, these gospel recordings of a teenaged aretha franklin are not just a sign of the brilliance to come, they are a force unto themselves. at this time aretha was performing in her father’s church, new bethel, in detroit, and traveling with her father’s »gospel caravan« tours, performing with the likes of sam cooke & the soul stirrers. like so many of the soul and r&b stars of the 50s and 60s, aretha started out in the church and it was there that she made some of her most powerful and transcendental music.

standards & practices is proud to present the inaugural release on its new sister imprint, double standards, from nyc-based producer jake reif (device control). his third release working under this alias, reif manages to amalgamate his dance music obsessions (ebm, bleep techno, chicago house) in a totally unique way that feels fresh and idiosyncratic, avoiding simple genre exercises or nostalgia for the sake of it. pressing on green vinyl, housed in a gatefold sleeve.

with the summer season well and truly in full step, mosaic returns with two finely tuned cuts of classic dubbed-out minimalism. a side in the night is a typically understated affair from label boss steve o sullivan under his wise caucasian alias. propelled by a bass-heavy tone and lit by layers of percussion that build on each other you ll find yourself getting lost in the washes of sparse vocals, rhythmic stabs and splashes of delay that reach out over the dance floor. far from providing instant gratification, this requires timely and repeated play to uncover the layers of subtle finesse and craftsmanship: perfect for keeping those feet moving at any hour of the night, or day for that matter. on the b side, steve teams up once again with fellow londoner, frazer campbell on rise which goes straight for the full smile effect as the duo conjure up one of those rare pieces of magic. set to a melee of skippy percussion, high-pitched toms and warmly toned melody, the prophetic voice of maya angelou and her timeless poem still i rise resonates supreme, bringing a touch of thoughtful intelligence thats all too often forgotten. as the track hits it peak, you cant help but feel the deep elation a groove like this brings in the darkest of hours.

the brand new live album from alice cooper. the coloured double vinyl (1x white, 1x transparent red) is housed in a gatefold sleeve with download code included.

“the spiral” is frederikke hoffmeiers third solo lp for posh isolation under her puce mary moniker, and follows where last year’s critically acclaimed “persona” left off. working more precisely than ever, “the spiral” binds the listener in a tight web of sharp synthesizers, hammering percussion, obscured vocals, field recordings, and blistering noise. puce mary manages to at once honour the history of industrial music and noise, as well as transform it.

in the era of the brand, kutiman is an anomaly. a musician who’s a video artist who’s a producer who’s an animator who’s also the unwilling star of one of israel’s most successful recent documentaries, his every record contrasts with whatever it was that came before. but that’s fundamental to his appeal: no one, not even him, really knows what to expect next. unsurprisingly, therefore, ‘don’t hold onto the clouds’ is no different, which means it’s like nothing he’s ever done. most artists would acknowledge this by working under pseudonyms, but kutiman is – yes, you’ve guessed it – different again. “if i changed my name every time i wanted to do something new,” he laughs, “i think i’d have too many names!”

peter kadergard has been active in the helsingborg (sweden) electronic music scene since the early 1990 s. he was involved in various collaborations during the 90 s and appeared on a few cassette releases under the names grodans fodelsedag, marchentraum and mannix system. peter released his first rittowski record on the borft sub label djuring phonogram in 2004. apart from this electro project peter is a member of the bands goz mongo alliance and inyurmania, who has made a few releases on the ufo mongo, pripuzzi and skiboy record labels. this is new electro!